Representation of The Transitioning South in the Book ' A Good Man is Hard to Find' by Flannery O'Connor

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Representation of The Transitioning South in the Book ‘ A Good Man is Hard to Find’ by Flannery O’Connor

Throughout literature, there are a number of different examples that show the differences between the Old South and the New South along with the transition from old to new. Some of these examples are included in the works of Flannery OConnor, Kate Chopin, and William Faulkner. When examining this concept of old and new, one can easily learn that there have been significant changes in everything, especially landscape, racial attitudes, and the treatment of women.

In the book ‘ A Good Man is Hard to Find’ by Flannery O’Connor, parts of the Old South and New South are talked about all through the book. O’Connor utilizes this story to show the contrasts between the old and new south and voice her assessments on what the new south is turning out to be. O’Connor utilizes the grandma as the principal case of the Old South. One of the qualities the grandma has that speaks to the Old South is simply the manner in which she needs to keep dressed like a very proper woman. Her collars and cuffs for a white organdy trimmed with lace and at her neckline when she had pinned purple spray of cloth violets containing a sachet. In case of an accident anyone seeing her dead on the highway would know that once she was a lady. ( OConnor 11) This statement confirms that the grandma, regardless of whether dead on the side of the highway, thinks about resembling an appropriate woman. In the Old South you needed to dress legitimate or you were looked downward on. O’Connor uses the mother to represent to the New South. The mother has no personality in the story other than simply being a mother, however the main thing that stands apart with her is that she wear slacks rather than skirts. The grandma opposes in light of the fact that that is not what ‘appropriate women’ wear.

In the Barn Burning by William Faulkner, racial and economic change occurred. The Snopes family share more in common with other black sharecroppers, or even with the dull workers who work in the de Spain house, than with the white landowners. In addition, racial predisposition isn’t compelled to the Snopes family. Abner uses his favoritism to legitimize his own pervasiveness over each other individual. For instance, he positions himself as superior to the much progressively luxurious de Spain family considering the way that their house is manufactured, he says heavy-handedly, from ‘nigger sweat’ toward the day’s end, Abner has made sense of how to make his own status as a poor white individual one of ‘ethicalness’ considering his inclination. He holds dull people lower than him since he is white. However, he in like manner holds wealthier white people as below average contrasted with him since they use their money to contract work. Under this one-sided reason, Abner as a poor white individual is common considering the way that he is not dim and cannot hire blacks. Furthermore, his considerations soak the rest of the family,Abner’s kid, Sarty, uses deprecatory language in talking about blacks, whether or not he hasn’t made a reason of preference as his father has.The story in like manner explains that Abner’s point of view is finally propelled by scorn at the manner in which he and the workers are comparatively arranged, his ‘white sweat’ mixing in with theirs. Such colossal inclinations are planned to be found somewhat as Abner’s own one of a kind part singular scorn and narcissism. Regardless, they are in like manner portrayed through the story’s progressively broad image of the overall population where Abner lives, as normal for the greater racial and money related associations of the South.

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