Film Evaluation Criteria: Approaches and Effects

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Film Evaluation Criteria: Approaches and Effects

Films have formed part of the human perception and the conscious being. The personal criteria or analysis of film can gunner different representation because of the different range of approaches such as those in the academic sector that seem to suffer from inability to find unique and identifiable paradigms. The paradigm has to be equally acceptable widely and thus different aspects require some scholarly attention. This paper gives a critical analysis of the effects of various approaches to films and the effects, especially the change in the film Industry.

Considering the film industry from a personal point of view, films are a source of heterogeneous information because the unique themes present sophisticated but well distributed unbundled information as well as a super highway for gaining skills. The approach in this case is the analysis of the technical achievements in the industry. Films moreover affect a variety of services through technological devices that are independent of the location (Freund and Weinhold, 2004). It is also formal to consider the industry from a humanistic point of view. As Freund and Weinhold (2004), would put it, the film industry is crucial because it offers services to many other industries and the effects pertaining to its growth affects them too.

Performance and unique attributes are the core attributes in the film industry but its evolvement is definitely a change that greatly affects the transactions involved within the industry. This has become a reality because of the separation of the functional roles in the domain for the effective and the ever-changing world.

A good example is the ability to access films through mobile appliances, which involves a multitude of an ever-growing domain due to the advancement of the infrastructure. The main effects evident on this industry from a general point of view influences the provision of services to third parties, information accessibility, architecture of the systems, services heterogeneity, performance and differentiation of services. All these are positive effects in the film industry offered but the trend would probably increase for the better (Boggs and Petrie, 2000).

The personality cult or political approaches are a concept that allows main films providers to offer open interfaces to third parties for better service delivery in the working industry. This means the users has the ability of choose specific preferences regarding style of and for accessing entertainment or services.

Today film industry supports applications, which cover wide range of features such as functionalities, domain or the interfaces. Users have the ability to integrate information from various geographically or logically allocated terminals having a variety of interfaces within a massive amount of cultures. This aspect raises the need for advancement to cater for the diversity.

The effects placed by the film strategies depend on the attitude of the composite consumer behaviours, which include believes, feelings and intention within the context or theme. Together, these factors determine how the consumer reacts to the product or service on offer. They judge their expectations based on these believes and probably other experiences. For example, it is common to find people considering a film to be of low quality due to its cost. Considering experience, a film may seem to taste better because the involved production company or production locality. A well-known locality such as Hollywood may affect the response over the basic features such as theme or content (McClare et al, 2004).

Bigger film production companies have more effect over information control because of financial ability to maximize the control. The companies may intimidate advertisers or threaten to reduce or cut their advertisements if there are not customized. Form a personal perspective, the effect on the consumer is huge since such companies might deny consumers their right to know all details.

References:

Boggs, J. M. & Petrie, D. W. (2000). The art of watching films. California: CA. Mayfield Publishers.

Freund, C., and Weinhold, D., (2004). The effect of the Film on international trade Journal of International Economics, Vol 62, 171-189.

McClure, Samuel M., Jiam Li, Damon Tomlin, Kim S. Cypert, Latané M. Montague, and P. Read Montague, (2004). Neural Correlates of Behavioural Preferences. Neuron journal, Vol 44 pp 379387.

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